Acoustic Blues Guitar Teacher 4285 Undullah Queensland

acoustic blues guitar instructor Undullah Queensland 4285

 

Acoustic Blues Guitar Teacher 4285 Undullah Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of music that is popular throughout the United States.

Although instrumental accompaniment is nearly worldwide in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is normally one of sadness or melancholy, often due to problems in love.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are dedicated to the last measure, singing and a half comprising an instrumental “break” that complements the vocal line, answers, or recurs. When it comes to functional (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Undullah 4285 Queensland.

African influences are evident in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are poorly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterward many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in the Carolinas, Georgia and three principal regions, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clean singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher 4285 Undullah Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The harmonica that was amplified and the electric guitar created a driving sound of great rhythmic and psychological intensity.

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It was Chicago, however, that played the greatest part in the growth of urban blues. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Rhythm and soul music and blues additionally reveal forms and apparent blues tonalities. The blues have had their largest effect on rock music.

Blues content was often used by rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Undullah Queensland 4285

Acoustic Blues Guitar Teacher 4285 Undullah Queensland

 

 

 

 

 

 

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