Acoustic Blues Guitar Teacher Wurdong Heights 4680 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of music that is popular throughout the USA.
Although instrumental accompaniment is nearly worldwide in the blues, the blues is essentially a vocal kind. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is typically one of melancholy or sadness, often due to difficulties in love.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Generally the first two and a half measures of each line are devoted to a half, the last measure and singing consisting of an instrumental “break” that complements the vocal line, replies, or repeats. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Wurdong Heights 4680 Queensland.
African influences are obvious in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, particularly the guitar and harmonica.
The sources of the blues are poorly documented. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in the Carolinas, Georgia and three principal areas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, sharp singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4680 Wurdong Heights.
Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is called classic blues.
The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The amplified harmonica and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, nevertheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Jazz and blues are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally reveal shapes and clear blues tonalities. The blues have had their largest effect on rock music.
Blues content was often used by early rock singers for example Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4680 Wurdong Heights Queensland