Acoustic Blues Guitar Teacher Woolmar 4515 Queensland

acoustic blues guitar instructor Woolmar Queensland 4515

 

Acoustic Blues Guitar Teacher Woolmar 4515 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a form that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is normally one of depression or melancholy, often due to difficulties in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Generally the first two and a half measures of each line are dedicated to a half, the last measure and singing consisting of an instrumental “break” that complements the vocal line, replies, or recurs. When it comes to functional (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Woolmar 4515 Queensland.

African influences are obvious in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, notably the guitar and harmonica.

The sources of the blues are poorly recorded. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, sharp singing accompanied by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Woolmar 4515 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of great rhythmic and emotional intensity.

Hooker, John Lee [Credit:

It was Chicago, nevertheless, that played the greatest role in the development of urban blues.

Many other musical styles have been influenced by the blues. Jazz and blues are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally show forms and apparent blues tonalities. The blues have had their biggest impact on rock music.

Rock singers for example Elvis Presley often used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Woolmar Queensland 4515

Acoustic Blues Guitar Teacher Queensland 4515 Woolmar

 

 

 

 

 

 

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