Acoustic Blues Guitar Teacher Wonga 4873 Queensland

acoustic blues guitar instructor Wonga Queensland 4873

 

Acoustic Blues Guitar Teacher 4873 Wonga Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout America.

Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is generally one of sadness or melancholy, often due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (sustaining one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Normally the first two and a half measures of each line are devoted to singing, the last measure and a half comprising an instrumental “break” that complements the vocal line, replies, or recurs.

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Acoustic Blues Guitar Teacher Wonga 4873 Queensland.

African influences are clear in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, especially the guitar and harmonica.

The origins of the blues are badly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Texas, Georgia and the Carolinas, three principal regions, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Impacted by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clean singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4873 Wonga.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. The harmonica that was amplified and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Blues and jazz are closely related; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Soul music and rhythm and blues additionally reveal shapes and apparent blues tonalities. The blues have had their biggest influence on rock music.

Blues content was often used by rock singers such as Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Wonga Queensland 4873

Acoustic Blues Guitar Teacher 4873 Wonga Queensland

 

 

 

 

 

 

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