Acoustic Blues Guitar Teacher Queensland 4347 Winwill
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of music that is popular throughout the United States.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a type that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists rather than telling stories. The emotion expressed is normally one of melancholy or depression, commonly due to difficulties in love.
Normally the first two and a half measures of each line are committed to singing, the last measure and a half comprising an instrumental “break” that complements the vocal line, answers, or repeats. In terms of practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Winwill 4347 Queensland.
African influences are evident in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.
The origins of the blues are poorly documented. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.
The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, sharp singing accompanied by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4347 Winwill Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is called classic blues.
The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. The amplified harmonica and the electric guitar created a driving sound of great rhythmic and emotional intensity.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest role in the development of urban blues. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Jazz and blues are closely related; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Soul music and rhythm and blues additionally reveal forms and clear blues tonalities. The blues have had their largest impact on rock music.
Blues material was regularly used by early rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4347 Winwill Queensland