Acoustic Blues Guitar Teacher Winton 4735 Queensland

acoustic blues guitar instructor Winton Queensland 4735

 

Acoustic Blues Guitar Teacher Queensland 4735 Winton

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of popular music throughout the United States.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal kind. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is generally one of melancholy or sadness, often due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up just one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Usually the first two and a half measures of each line are committed to singing, the last measure and a half consisting of an instrumental “break” that answers, recurs, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Winton 4735 Queensland.

African influences are obvious in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are poorly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Texas, Georgia and the Carolinas, three main areas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is defined by high, clear singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Stella Harmony Blues Guitar

Acoustic Blues Guitar Teacher Winton 4735 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more complex urban environment. The harmonica that was amplified and the electric guitar created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the growth of urban blues.

The blues have affected many other musical styles. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues also reveal forms and clear blues tonalities. The blues have had their largest influence on rock music.

Blues material was frequently used by early rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Winton Queensland 4735

Acoustic Blues Guitar Teacher Winton 4735 Queensland

 

 

 

 

 

 

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