Acoustic Blues Guitar Teacher Queensland 4030 Windsor
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of music that is popular throughout America.
Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a vocal type. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is typically one of melancholy or sadness, commonly due to problems in love.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Generally the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that complements the vocal line, replies, or recurs. When it comes to practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Windsor 4030 Queensland.
African influences are evident in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, particularly the guitar and harmonica.
The sources of the blues are badly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three principal areas. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, sharp singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4030 Windsor.
Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is referred to as classic blues.
The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more sophisticated urban surroundings. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and psychological intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Blues and jazz are closely associated; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Soul music and rhythm and blues also show shapes and apparent blues tonalities. The blues have had their largest impact on rock music.
Early rock singers such as Elvis Presley often used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4030 Windsor Queensland