Acoustic Blues Guitar Teacher Queensland 4570 Widgee Crossing South
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the United States.
Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a a type that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is generally one of melancholy or sadness, often due to difficulties in love.
Typically the first two and a half measures of each line are committed to the last measure, singing and a half comprising an instrumental “break” that complements the vocal line, answers, or repeats. When it comes to practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4570 Widgee Crossing South Queensland.
African influences are obvious in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The origins of the blues are badly recorded. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clear singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4570 Widgee Crossing South.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.
The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban environment. The amplified harmonica and the electric guitar created a driving sound of rhythmic and emotional intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, however, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Jazz and blues are closely connected; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Rhythm and soul music and blues also reveal apparent blues tonalities and forms. The blues have had their largest impact on rock music.
Rock singers such as Elvis Presley frequently used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Widgee Crossing South 4570 Queensland