Acoustic Blues Guitar Teacher West Haldon 4359 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of music that is popular throughout America.
Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a a kind that is vocal. Blues songs are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is generally one of sadness or melancholy, often due to difficulties in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Typically the first two and a half measures of each line are committed to singing, the last measure and a half comprising an instrumental “break” that responses, recurs, or complements the vocal line. When it comes to functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher West Haldon 4359 Queensland.
African influences are obvious in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.
The origins of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.
The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clear singing accompanied by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4359 West Haldon Queensland.
Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more advanced urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the harmonica that was amplified created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, however, that played the greatest role in the growth of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
The blues have affected many other musical styles. Blues and jazz are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally show forms and apparent blues tonalities. The blues have had their largest influence on rock music.
Blues content was frequently used by rock singers such as Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4359 West Haldon