Acoustic Blues Guitar Teacher Washpool 4306 Queensland

acoustic blues guitar instructor Washpool Queensland 4306

 

Acoustic Blues Guitar Teacher Queensland 4306 Washpool

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a a form that is vocal. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is usually one of melancholy or depression, often due to difficulties in love.

Normally the first two and a half measures of each line are committed to the last measure, singing and a half composed of an instrumental “break” that complements the vocal line, responses, or recurs. In terms of practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4306 Washpool Queensland.

African influences are obvious in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, particularly the guitar and harmonica.

The sources of the blues are poorly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4306 Washpool.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and emotional intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Rhythm and soul music and blues also show clear blues tonalities and shapes. The blues have had their biggest effect on rock music.

Blues material was frequently used by early rock singers such as Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Washpool Queensland 4306

Acoustic Blues Guitar Teacher 4306 Washpool Queensland

 

 

 

 

 

 

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