Acoustic Blues Guitar Teacher Queensland 4871 Warrubullen
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of music that is popular throughout the USA.
Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a a type that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is usually one of melancholy or depression, often due to problems in love.
To express this musically, blues performers use vocal techniques such as melisma (keeping up an individual syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Generally the first two and a half measures of each line are committed to a half, the last measure and singing comprising an instrumental “break” that replies, recurs, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4871 Warrubullen Queensland.
African influences are evident in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The origins of the blues are badly recorded. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in three main regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.
High, clean singing accompanied by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4871 Warrubullen.
Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adapted to the more sophisticated urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the amplified harmonica created a driving sound of great psychological and rhythmic intensity.
Hooker, John Lee [Credit:
It was Chicago, however, that played the greatest part in the development of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Rhythm and soul music and blues additionally show clear blues tonalities and shapes. The blues have had their largest effect on rock music.
Rock singers for example Elvis Presley frequently used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4871 Warrubullen Queensland