Acoustic Blues Guitar Teacher Villeneuve 4514 Queensland

acoustic blues guitar instructor Villeneuve Queensland 4514

 

Acoustic Blues Guitar Teacher 4514 Villeneuve Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of music that is popular throughout the USA.

Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a vocal kind. Blues songs are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is normally one of melancholy or depression, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining a single syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Typically the first two and a half measures of each line are dedicated to the last measure, singing and a half comprising an instrumental “break” that answers, recurs, or complements the vocal line.

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Acoustic Blues Guitar Teacher Queensland 4514 Villeneuve.

African influences are noticeable in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The sources of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterward many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles.

The Texas blues is characterized by high, sharp singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it’s the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Doc Watson - Acoustic Guitar Fingerpicking Master

Acoustic Blues Guitar Teacher Villeneuve 4514 Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is known as classic blues.

The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the development of urban blues.

Many other musical styles have been influenced by the blues. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues also show clear blues tonalities and forms. The blues have had their greatest impact on rock music.

Early rock singers such as Elvis Presley often used blues material. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Villeneuve Queensland 4514

Acoustic Blues Guitar Teacher Queensland 4514 Villeneuve

 

 

 

 

 

 

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