Acoustic Blues Guitar Teacher Queensland 4850 Valley Of Lagoons
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the USA.
Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is normally one of depression or melancholy, often due to problems in love.
To express this musically, blues performers use vocal techniques such as melisma (keeping up one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Typically the first two and a half measures of each line are devoted to singing, the last measure and a half consisting of an instrumental “break” that recurs, answers, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4850 Valley Of Lagoons Queensland.
African influences are apparent in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in three main areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Affected by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.
High, sharp singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is often used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4850 Valley Of Lagoons.
Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is called classic blues.
The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more complex urban environment. The amplified harmonica and the electric guitar created a driving sound of great rhythmic and emotional intensity.
Hooker, John Lee [Credit:
It was Chicago, nevertheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.
Many other musical styles have been influenced by the blues. Blues and jazz are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues also reveal obvious blues tonalities and shapes. The blues have had their largest impact on rock music.
Blues content was frequently used by rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4850 Valley Of Lagoons Queensland