Acoustic Blues Guitar Teacher Utchee Creek 4871 Queensland

acoustic blues guitar instructor Utchee Creek Queensland 4871

 

Acoustic Blues Guitar Teacher Queensland 4871 Utchee Creek

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout America.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is normally one of melancholy or depression, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (prolonging a single syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Generally the first two and a half measures of each line are committed to a half, the last measure and singing comprising an instrumental “break” that answers, recurs, or complements the vocal line. In terms of practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4871 Utchee Creek.

African influences are obvious in the blues tonality, the call-and-response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly documented. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three principal areas. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles.

The Texas blues is characterized by high, clean singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4871 Utchee Creek.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been influenced by the blues. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Rhythm and soul music and blues additionally show apparent blues tonalities and forms. The blues have had their largest influence on rock music.

Rock singers like Elvis Presley regularly used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Utchee Creek Queensland 4871

Acoustic Blues Guitar Teacher 4871 Utchee Creek Queensland

 

 

 

 

 

 

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