Acoustic Blues Guitar Teacher Urangan 4655 Queensland

acoustic blues guitar instructor Urangan Queensland 4655

 

Acoustic Blues Guitar Teacher 4655 Urangan Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of music that is popular throughout America.

Although instrumental accompaniment is nearly worldwide in the blues, the blues is essentially a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is normally one of depression or melancholy, commonly due to difficulties in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are devoted to the last measure, singing and a half composed of an instrumental “break” that responses, repeats, or complements the vocal line.

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Acoustic Blues Guitar Teacher Queensland 4655 Urangan.

African influences are apparent in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are badly documented. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Georgia, three principal areas and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clean singing accompanied by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Urangan 4655 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban environment. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Blues and jazz are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues also reveal apparent blues tonalities and shapes. The blues have had their greatest impact on rock music.

Early rock singers such as Elvis Presley often used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Urangan Queensland 4655

Acoustic Blues Guitar Teacher 4655 Urangan Queensland

 

 

 

 

 

 

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