Acoustic Blues Guitar Teacher Upper Wheatvale 4370 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout the United States.
Although instrumental accompaniment is virtually universal in the blues, the blues is basically a a form that is vocal. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is typically one of depression or melancholy, often due to problems in love.
To express this musically, blues performers use vocal techniques including melisma (sustaining just one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Usually the first two and a half measures of each line are dedicated to the last measure, singing and a half composed of an instrumental “break” that replies, repeats, or complements the vocal line. When it comes to practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Upper Wheatvale 4370 Queensland.
African influences are noticeable in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, notably the guitar and harmonica.
The sources of the blues are badly recorded. Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.
The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clean singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4370 Upper Wheatvale.
Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. The amplified harmonica and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, nevertheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Rhythm and soul music and blues additionally reveal forms and obvious blues tonalities. The blues have had their biggest influence on rock music.
Blues material was regularly used by early rock singers such as Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4370 Upper Wheatvale Queensland