Acoustic Blues Guitar Teacher Upper Coomera 4209 Queensland

acoustic blues guitar instructor Upper Coomera Queensland 4209

 

Acoustic Blues Guitar Teacher Upper Coomera 4209 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout the USA.

Although instrumental accompaniment is virtually universal in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists rather than telling stories. The emotion expressed is usually one of sadness or melancholy, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (sustaining a single syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Commonly the first two and a half measures of each line are devoted to the last measure, singing and a half comprising an instrumental “break” that responses, repeats, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4209 Upper Coomera Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are badly recorded. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Affected by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Mance Lipscombe - Texas Blues Guitar

Acoustic Blues Guitar Teacher 4209 Upper Coomera Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is referred to as classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban surroundings. The harmonica that was amplified and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

The blues have influenced many other musical styles. Jazz and blues are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues additionally show clear blues tonalities and shapes. The blues have had their biggest influence on rock music.

Blues content was often used by rock singers such as Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Upper Coomera Queensland 4209

Acoustic Blues Guitar Teacher 4209 Upper Coomera Queensland

 

 

 

 

 

 

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