Acoustic Blues Guitar Teacher Umagico 4876 Queensland

acoustic blues guitar instructor Umagico Queensland 4876

 

Acoustic Blues Guitar Teacher 4876 Umagico Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of music that is popular throughout the USA.

Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is typically one of melancholy or depression, often due to problems in love.

To express this musically, blues performers use vocal techniques including melisma (keeping up just one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Usually the first two and a half measures of each line are devoted to a half, the last measure and singing consisting of an instrumental “break” that repeats, replies, or complements the vocal line. In terms of functional (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Umagico 4876 Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain structure of the blues stanza, especially the guitar and harmonica.

The origins of the blues are badly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterwards many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three principal regions. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Determined by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is defined by high, sharp singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it’s the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Mance Lipscombe - Texas Blues Guitar

Acoustic Blues Guitar Teacher Umagico 4876 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more complex urban surroundings. The electric guitar and the amplified harmonica created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit:

It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

The blues have influenced many other musical styles. Blues and jazz are closely related; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Soul music and rhythm and blues also reveal forms and obvious blues tonalities. The blues have had their biggest impact on rock music.

Rock singers such as Elvis Presley frequently used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Umagico Queensland 4876

Acoustic Blues Guitar Teacher Queensland 4876 Umagico

 

 

 

 

 

 

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