Acoustic Blues Guitar Teacher Tuan 4650 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout America.
Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal kind. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is typically one of sadness or melancholy, commonly due to problems in love.
To express this musically, blues performers use vocal techniques including melisma (keeping up just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Generally the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that complements the vocal line, answers, or repeats.
Acoustic Blues Guitar Teacher Tuan 4650 Queensland.
African influences are evident in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The origins of the blues are poorly recorded. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three main regions. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles.
High, clear singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4650 Tuan.
Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. The harmonica that was amplified and the electric guitar created a driving sound of great psychological and rhythmic intensity.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, nonetheless, that played the greatest role in the development of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Jazz and blues are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues additionally reveal apparent blues tonalities and forms. The blues have had their largest influence on rock music.
Early rock singers such as Elvis Presley often used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4650 Tuan