Acoustic Blues Guitar Teacher Torrington 4350 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of music that is popular throughout the USA.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a form that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is normally one of depression or melancholy, commonly due to difficulties in love.
To express this musically, blues performers use vocal techniques for example melisma (keeping up an individual syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Usually the first two and a half measures of each line are committed to the last measure, singing and a half composed of an instrumental “break” that answers, recurs, or complements the vocal line. In terms of practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Queensland 4350 Torrington.
African influences are noticeable in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, notably the guitar and harmonica.
The sources of the blues are badly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley songs entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Texas, Georgia and the Carolinas, three main areas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles.
The Texas blues is defined by high, clear singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Torrington 4350 Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is known as classic blues.
The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and emotional intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.
The blues have affected many other musical styles. Jazz and blues are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally reveal forms and clear blues tonalities. The blues have had their largest impact on rock music.
Rock singers like Elvis Presley often used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4350 Torrington