Acoustic Blues Guitar Teacher Torbanlea 4662 Queensland

acoustic blues guitar instructor Torbanlea Queensland 4662

 

Acoustic Blues Guitar Teacher Torbanlea 4662 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout the United States.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a type that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is normally one of melancholy or depression, often due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (prolonging just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Commonly the first two and a half measures of each line are dedicated to a half, the last measure and singing consisting of an instrumental “break” that recurs, replies, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4662 Torbanlea Queensland.

African influences are obvious in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, especially the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three main areas. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Affected by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clear singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Mance Lipscombe - Texas Blues Guitar

Acoustic Blues Guitar Teacher 4662 Torbanlea Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage singers backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban environment. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and emotional intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been influenced by the blues. Blues and jazz are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues also reveal apparent blues tonalities and shapes. The blues have had their greatest effect on rock music.

Rock singers like Elvis Presley frequently used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Torbanlea Queensland 4662

Acoustic Blues Guitar Teacher 4662 Torbanlea Queensland

 

 

 

 

 

 

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