Acoustic Blues Guitar Teacher Tivoli 4305 Queensland

acoustic blues guitar instructor Tivoli Queensland 4305

 

Acoustic Blues Guitar Teacher 4305 Tivoli Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of popular music throughout the USA.

Although instrumental accompaniment is virtually universal in the blues, the blues is basically a vocal form. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is normally one of melancholy or depression, often due to difficulties in love.

To express this musically, blues performers use vocal techniques such as melisma (keeping up one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Typically the first two and a half measures of each line are devoted to a half, the last measure and singing consisting of an instrumental “break” that recurs, replies, or complements the vocal line.

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Acoustic Blues Guitar Teacher Tivoli 4305 Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The sources of the blues are badly documented. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three main areas. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, sharp singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it truly is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blind Boy Fuller - Ragtime Blues Guitar Master

Acoustic Blues Guitar Teacher Tivoli 4305 Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more sophisticated urban surroundings. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

The blues have affected many other musical styles. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Rhythm and soul music and blues additionally show obvious blues tonalities and shapes. The blues have had their largest effect on rock music.

Blues material was regularly used by early rock singers for example Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Tivoli Queensland 4305

Acoustic Blues Guitar Teacher Queensland 4305 Tivoli

 

 

 

 

 

 

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