Acoustic Blues Guitar Teacher Tingalpa 4173 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout America.
Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a type that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is typically one of sadness or melancholy, often due to problems in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Normally the first two and a half measures of each line are dedicated to the last measure, singing and a half composed of an instrumental “break” that repeats, responses, or complements the vocal line.
Acoustic Blues Guitar Teacher 4173 Tingalpa Queensland.
African influences are noticeable in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain structure of the blues stanza, notably the guitar and harmonica.
The origins of the blues are badly documented. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley tunes entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in the Carolinas, Georgia and three principal areas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is defined by high, sharp singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is often used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Tingalpa 4173 Queensland.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage singers backed by jazz bands; their style is called classic blues.
The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more complex urban environment. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and emotional intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest part in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.
Many other musical styles have been affected by the blues. Jazz and blues are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues additionally reveal forms and apparent blues tonalities. The blues have had their largest effect on rock music.
Rock singers such as Elvis Presley frequently used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4173 Tingalpa Queensland