Acoustic Blues Guitar Teacher Thornborough 4871 Queensland

acoustic blues guitar instructor Thornborough Queensland 4871

 

Acoustic Blues Guitar Teacher Queensland 4871 Thornborough

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of music that is popular throughout America.

Although instrumental accompaniment is nearly worldwide in the blues, the blues is basically a a kind that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers instead of telling stories. The emotion expressed is normally one of melancholy or sadness, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (sustaining one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Typically the first two and a half measures of each line are committed to the last measure, singing and a half composed of an instrumental “break” that complements the vocal line, replies, or repeats. In terms of practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4871 Thornborough Queensland.

African influences are noticeable in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Impacted by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most extreme of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher 4871 Thornborough Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adapted to the more complex urban surroundings. The amplified harmonica and the electric guitar created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit:

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been influenced by the blues. Blues and jazz are closely related; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Soul music and rhythm and blues additionally reveal clear blues tonalities and shapes. The blues have had their biggest effect on rock music.

Blues content was often used by rock singers for example Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Thornborough Queensland 4871

Acoustic Blues Guitar Teacher Thornborough 4871 Queensland

 

 

 

 

 

 

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