Acoustic Blues Guitar Teacher The Range 4700 Queensland

acoustic blues guitar instructor The Range Queensland 4700

 

Acoustic Blues Guitar Teacher 4700 The Range Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of music that is popular throughout the USA.

Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a vocal form. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is typically one of melancholy or depression, often due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (prolonging a single syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Generally the first two and a half measures of each line are given to singing, the last measure and a half composed of an instrumental “break” that repeats, responses, or complements the vocal line. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4700 The Range.

African influences are noticeable in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are poorly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterwards many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Georgia, three principal areas and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Influenced by ragtime and white folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clean singing accompanied by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher Queensland 4700 The Range.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is referred to as classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more advanced urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the amplified harmonica created a driving sound of great emotional and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, however, that played the greatest part in the growth of urban blues.

Many other musical styles have been affected by the blues. Jazz and blues are closely associated; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Rhythm and soul music and blues also show apparent blues tonalities and forms. The blues have had their biggest effect on rock music.

Blues material was frequently used by rock singers such as Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher The Range Queensland 4700

Acoustic Blues Guitar Teacher The Range 4700 Queensland

 

 

 

 

 

 

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