Acoustic Blues Guitar Teacher The Dawn 4570 Queensland

acoustic blues guitar instructor The Dawn Queensland 4570

 

Acoustic Blues Guitar Teacher The Dawn 4570 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout the United States.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a a type that is vocal. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings as opposed to telling stories. The emotion expressed is normally one of melancholy or depression, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up a single syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Usually the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that recurs, responses, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4570 The Dawn.

African influences are noticeable in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The origins of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it is more melodic than the Texas and Mississippi styles.

The Texas blues is defined by high, clear singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4570 The Dawn.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is referred to as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban surroundings. The electric guitar and the amplified harmonica created a driving sound of great emotional and rhythmic intensity.

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It was Chicago, however, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely associated; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Rhythm and soul music and blues additionally reveal apparent blues tonalities and forms. The blues have had their greatest impact on rock music.

Blues material was regularly used by early rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher The Dawn Queensland 4570

Acoustic Blues Guitar Teacher 4570 The Dawn Queensland

 

 

 

 

 

 

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