Acoustic Blues Guitar Teacher Tarramba 4715 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout the United States.
Although instrumental accompaniment is almost worldwide in the blues, the blues is essentially a a type that is vocal. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is usually one of melancholy or depression, often due to problems in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Normally the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that complements the vocal line, replies, or repeats. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Tarramba 4715 Queensland.
African influences are apparent in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, notably the guitar and harmonica.
The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is characterized by high, sharp singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it’s the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4715 Tarramba Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage singers backed by jazz bands; their style is referred to as classic blues.
The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more advanced urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the amplified harmonica created a driving sound of great rhythmic and emotional intensity.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest part in the development of urban blues.
The blues have affected many other musical styles. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Rhythm and soul music and blues also show shapes and apparent blues tonalities. The blues have had their greatest impact on rock music.
Blues content was regularly used by early rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4715 Tarramba