Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland

acoustic blues guitar instructor Tam O'Shanter Queensland 4852

 

Acoustic Blues Guitar Teacher Queensland 4852 Tam O’Shanter

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of music that is popular throughout America.

Although instrumental accompaniment is almost worldwide in the blues, the blues is basically a a form that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is normally one of melancholy or depression, often due to problems in love.

To express this musically, blues performers use vocal techniques such as melisma (prolonging just one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Typically the first two and a half measures of each line are committed to the last measure, singing and a half composed of an instrumental “break” that answers, repeats, or complements the vocal line. When it comes to functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

Oops, something went wrong.

 

Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland.

African influences are evident in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and then many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Texas, Georgia and the Carolinas, three principal regions, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clear singing accompanied by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it truly is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is regularly used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Acoustic Blues Guitar Teacher Tam O'Shanter Queensland 4852

Acoustic Blues Guitar Teacher 4852 Tam O’Shanter Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is known as classic blues.

The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more advanced urban surroundings. The electric guitar and the harmonica that was amplified created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit:

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been influenced by the blues. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Soul music and rhythm and blues additionally show apparent blues tonalities and forms. The blues have had their largest impact on rock music.

Blues material was regularly used by early rock singers for example Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Tam O'Shanter Queensland 4852

Acoustic Blues Guitar Teacher Queensland 4852 Tam O’Shanter

 

 

 

 

 

 

Please follow and like us:

Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland

acoustic blues guitar instructor Tam O'Shanter Queensland 4852

 

Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of music that is popular throughout the United States.

Although instrumental accompaniment is virtually universal in the blues, the blues is essentially a a form that is vocal. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings as opposed to telling stories. The emotion expressed is normally one of depression or melancholy, commonly due to difficulties in love.

Commonly the first two and a half measures of each line are given to the last measure, singing and a half composed of an instrumental “break” that recurs, responses, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

Oops, something went wrong.

 

Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland.

African influences are obvious in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, especially the guitar and harmonica.

The sources of the blues are badly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three principal regions. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Affected by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, sharp singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Brownie McGhee

Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the amplified harmonica created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit:

It was Chicago, nonetheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues additionally reveal shapes and obvious blues tonalities. The blues have had their largest impact on rock music.

Rock singers for example Elvis Presley often used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Tam O'Shanter Queensland 4852

Acoustic Blues Guitar Teacher Tam O’Shanter 4852 Queensland

 

 

 

 

 

 

Please follow and like us: