Acoustic Blues Guitar Teacher Stretton 4116 Queensland

acoustic blues guitar instructor Stretton Queensland 4116

 

Acoustic Blues Guitar Teacher Stretton 4116 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a a type that is vocal. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is generally one of melancholy or depression, often due to difficulties in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are devoted to singing, the last measure and a half comprising an instrumental “break” that recurs, answers, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4116 Stretton Queensland.

African influences are clear in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain arrangement of the blues stanza, notably the guitar and harmonica.

The sources of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles.

The Texas blues is characterized by high, sharp singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Mance Lipscombe - Texas Blues Guitar

Acoustic Blues Guitar Teacher 4116 Stretton Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is known as classic blues.

The World Wars and the Great Depression caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more advanced urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The electric guitar and the harmonica that was amplified created a driving sound of rhythmic and emotional intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, however, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Jazz and blues are closely associated; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues additionally reveal shapes and obvious blues tonalities. The blues have had their biggest influence on rock music.

Blues content was regularly used by early rock singers such as Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Stretton Queensland 4116

Acoustic Blues Guitar Teacher Stretton 4116 Queensland

 

 

 

 

 

 

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