Acoustic Blues Guitar Teacher Strathpine Centre 4500 Queensland

acoustic blues guitar instructor Strathpine Centre Queensland 4500

 

Acoustic Blues Guitar Teacher 4500 Strathpine Centre Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of popular music throughout the United States.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal type. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is normally one of melancholy or sadness, often due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (prolonging just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Usually the first two and a half measures of each line are given to a half, the last measure and singing comprising an instrumental “break” that repeats, replies, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4500 Strathpine Centre Queensland.

African influences are noticeable in the blues tonality, the call-and-response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are poorly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in Mississippi, Georgia and the Carolinas, Texas, and three main regions. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Affected by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Stella Harmony Blues Guitar

Acoustic Blues Guitar Teacher Strathpine Centre 4500 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage singers backed by jazz bands; their style is known as classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass. The electric guitar and the amplified harmonica created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.

It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

The blues have affected many other musical styles. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Rhythm and soul music and blues also show clear blues tonalities and forms. The blues have had their greatest influence on rock music.

Blues material was frequently used by early rock singers like Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Strathpine Centre Queensland 4500

Acoustic Blues Guitar Teacher 4500 Strathpine Centre Queensland

 

 

 

 

 

 

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