Acoustic Blues Guitar Teacher Queensland 4742 Strathfield
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of music that is popular throughout the United States.
Although instrumental accompaniment is nearly worldwide in the blues, the blues is basically a a form that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers as opposed to telling stories. The emotion expressed is usually one of melancholy or depression, commonly due to problems in love.
To express this musically, blues performers use vocal techniques for example melisma (prolonging just one syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
Usually the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that answers, recurs, or complements the vocal line. When it comes to practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Queensland 4742 Strathfield.
African influences are apparent in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain structure of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.
The origins of the blues are poorly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and then many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Influenced by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.
High, clean singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher 4742 Strathfield Queensland.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is called classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. The harmonica that was amplified and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nevertheless, that played the greatest part in the growth of urban blues.
Many other musical styles have been influenced by the blues. Blues and jazz are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Soul music and rhythm and blues also show obvious blues tonalities and forms. The blues have had their greatest effect on rock music.
Blues content was often used by early rock singers such as Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4742 Strathfield Queensland