Acoustic Blues Guitar Teacher 4380 Storm King Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout the USA.
Although instrumental accompaniment is nearly worldwide in the blues, the blues is basically a a form that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is usually one of sadness or melancholy, often due to difficulties in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Usually the first two and a half measures of each line are devoted to singing, the last measure and a half comprising an instrumental “break” that complements the vocal line, responses, or recurs. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4380 Storm King Queensland.
African influences are noticeable in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are badly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.
The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three principal regions. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Affected by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
The Texas blues is defined by high, clear singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4380 Storm King.
Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban environment. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and emotional intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, however, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.
The blues have influenced many other musical styles. Jazz and blues are closely connected; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally show forms and obvious blues tonalities. The blues have had their biggest influence on rock music.
Rock singers for example Elvis Presley frequently used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Storm King 4380 Queensland