Acoustic Blues Guitar Teacher Stonehenge 4357 Queensland

acoustic blues guitar instructor Stonehenge Queensland 4357

 

Acoustic Blues Guitar Teacher 4357 Stonehenge Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of music that is popular throughout the United States.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal form. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is usually one of sadness or melancholy, often due to difficulties in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Usually the first two and a half measures of each line are committed to a half, the last measure and singing composed of an instrumental “break” that complements the vocal line, answers, or recurs.

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Acoustic Blues Guitar Teacher 4357 Stonehenge Queensland.

African influences are evident in the blues tonality, the call-and-response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.

The origins of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and thereafter many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in three main regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

High, clean singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it’s the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blues Guitar Lessons - Brownie McGhee

Acoustic Blues Guitar Teacher Queensland 4357 Stonehenge.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more sophisticated urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the harmonica that was amplified created a driving sound of psychological and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely associated; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Soul music and rhythm and blues additionally show shapes and obvious blues tonalities. The blues have had their largest effect on rock music.

Early rock singers such as Elvis Presley regularly used blues content. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Stonehenge Queensland 4357

Acoustic Blues Guitar Teacher 4357 Stonehenge Queensland

 

 

 

 

 

 

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