Acoustic Blues Guitar Teacher Stephens Island 4875 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of music that is popular throughout the USA.
Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues singers are expressing feelings as opposed to telling stories. The emotion expressed is usually one of sadness or melancholy, often due to difficulties in love.
To express this musically, blues performers use vocal techniques such as melisma (sustaining an individual syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Normally the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that complements the vocal line, replies, or repeats. When it comes to practical (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Stephens Island 4875 Queensland.
African influences are clear in the blues tonality, the call and response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.
The sources of the blues are poorly recorded. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and then many other Tin Pan Alley tunes entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Texas, Georgia and the Carolinas, three principal areas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Affected by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clear singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4875 Stephens Island.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is referred to as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adapted to the more sophisticated urban surroundings. The amplified harmonica and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
The blues have affected many other musical styles. Jazz and blues are closely connected; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Rhythm and soul music and blues also show shapes and obvious blues tonalities. The blues have had their greatest influence on rock music.
Early rock singers like Elvis Presley regularly used blues material. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4875 Stephens Island