Acoustic Blues Guitar Teacher Stapylton 4207 Queensland

acoustic blues guitar instructor Stapylton Queensland 4207

 

Acoustic Blues Guitar Teacher Queensland 4207 Stapylton

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a a form that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is usually one of sadness or melancholy, often due to problems in love.

To express this musically, blues performers use vocal techniques for example melisma (keeping up just one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or implementing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Commonly the first two and a half measures of each line are given to a half, the last measure and singing comprising an instrumental “break” that responses, recurs, or complements the vocal line.

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Acoustic Blues Guitar Teacher Queensland 4207 Stapylton.

African influences are clear in the blues tonality, the call and response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterwards many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Texas, Georgia and the Carolinas, three main regions, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.

The Texas blues is characterized by high, clear singing followed by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is regularly used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4207 Stapylton.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more complex urban environment. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the development of urban blues.

Many other musical styles have been affected by the blues. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong in their music. Soul music and rhythm and blues additionally reveal obvious blues tonalities and forms. The blues have had their largest impact on rock music.

Blues material was regularly used by early rock singers for example Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Stapylton Queensland 4207

Acoustic Blues Guitar Teacher 4207 Stapylton Queensland

 

 

 

 

 

 

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