Acoustic Blues Guitar Teacher St Mary 4570 Queensland

acoustic blues guitar instructor St Mary Queensland 4570

 

Acoustic Blues Guitar Teacher 4570 St Mary Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the USA.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a a type that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues vocalists rather than telling stories. The emotion expressed is typically one of melancholy or sadness, often due to problems in love.

To express this musically, blues performers use vocal techniques such as melisma (prolonging just one syllable across several pitches), rhythmic techniques for example syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Commonly the first two and a half measures of each line are dedicated to singing, the last measure and a half consisting of an instrumental “break” that complements the vocal line, answers, or recurs.

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Acoustic Blues Guitar Teacher Queensland 4570 St Mary.

African influences are clear in the blues tonality, the call-and-response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are poorly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three main areas. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Influenced by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, sharp singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher St Mary 4570 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women like Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.

The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more advanced urban environment. The amplified harmonica and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit:

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Jazz and blues are closely linked; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Soul music and rhythm and blues also show forms and obvious blues tonalities. The blues have had their largest influence on rock music.

Blues content was frequently used by early rock singers for example Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher St Mary Queensland 4570

Acoustic Blues Guitar Teacher Queensland 4570 St Mary

 

 

 

 

 

 

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