Acoustic Blues Guitar Teacher St George 4487 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of music that is popular throughout the United States.
Although instrumental accompaniment is nearly universal in the blues, the blues is basically a a kind that is vocal. Blues tunes are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is generally one of depression or melancholy, often due to problems in love.
Commonly the first two and a half measures of each line are committed to the last measure, singing and a half comprising an instrumental “break” that complements the vocal line, responses, or repeats. In terms of functional (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4487 St George Queensland.
African influences are obvious in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues developed in three main regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.
The Texas blues is characterized by high, clean singing accompanied by supple guitar lines that consist usually of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4487 St George.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage singers backed by jazz bands; their style is known as classic blues.
The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.
It was Chicago, nonetheless, that played the greatest role in the development of urban blues.
The blues have affected many other musical styles. Jazz and blues are closely linked; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Rhythm and soul music and blues additionally reveal shapes and clear blues tonalities. The blues have had their biggest influence on rock music.
Rock singers like Elvis Presley frequently used blues content. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher 4487 St George Queensland