Acoustic Blues Guitar Teacher Split Yard Creek 4306 Queensland
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the growth of popular music throughout the USA.
Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a vocal form. Blues songs are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is generally one of melancholy or sadness, often due to problems in love.
As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure kind. Normally the first two and a half measures of each line are dedicated to a half, the last measure and singing comprising an instrumental “break” that repeats, replies, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Split Yard Creek 4306 Queensland.
African influences are apparent in the blues tonality, the call and response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.
The sources of the blues are poorly documented. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterwards many other Tin Pan Alley songs entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three main regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles.
High, clean singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4306 Split Yard Creek.
Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is called classic blues.
The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more complex urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The amplified harmonica and the electric guitar created a driving sound of great psychological and rhythmic intensity.
Hooker, John Lee [Credit:
It was Chicago, nonetheless, that played the greatest part in the growth of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
The blues have influenced many other musical styles. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Soul music and rhythm and blues additionally reveal apparent blues tonalities and shapes. The blues have had their biggest influence on rock music.
Blues material was frequently used by early rock singers like Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and especially the Rolling Stones, were powerfully influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4306 Split Yard Creek