Acoustic Blues Guitar Teacher South Maclean 4280 Queensland

acoustic blues guitar instructor South Maclean Queensland 4280

 

Acoustic Blues Guitar Teacher South Maclean 4280 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the growth of music that is popular throughout America.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a kind that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is generally one of sadness or melancholy, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (prolonging just one syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or employing a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Normally the first two and a half measures of each line are dedicated to singing, the last measure and a half composed of an instrumental “break” that recurs, replies, or complements the vocal line.

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Acoustic Blues Guitar Teacher South Maclean 4280 Queensland.

African influences are clear in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The origins of the blues are poorly recorded. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Southern black men, most of whom came from the milieu of agricultural workers derived from and largely played blues.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and afterwards many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Affected by ragtime and white folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, sharp singing followed by supple guitar lines that consist generally of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Doc Watson - Acoustic Guitar Fingerpicking Master

Acoustic Blues Guitar Teacher South Maclean 4280 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographical dispersal of the blues. The blues became adjusted to the more complex urban environment. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers.

Many other musical styles have been influenced by the blues. Blues and jazz are closely associated; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Rhythm and soul music and blues also reveal shapes and obvious blues tonalities. The blues have had their greatest impact on rock music.

Early rock singers for example Elvis Presley frequently used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher South Maclean Queensland 4280

Acoustic Blues Guitar Teacher Queensland 4280 South Maclean

 

 

 

 

 

 

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