Acoustic Blues Guitar Teacher Queensland 4307 Silverdale
From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of popular music throughout America.
Although instrumental accompaniment is nearly universal in the blues, the blues is essentially a a type that is vocal. Blues songs are lyrical rather than narrative; blues singers are expressing feelings instead of telling stories. The emotion expressed is generally one of sadness or melancholy, commonly due to difficulties in love.
Generally the first two and a half measures of each line are dedicated to a half, the last measure and singing comprising an instrumental “break” that recurs, responses, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Silverdale 4307 Queensland.
African influences are noticeable in the blues tonality, the call-and-response pattern of the repeated refrain structure of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.
The sources of the blues are poorly documented. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.
The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became very popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Texas, Georgia and the Carolinas, three principal regions, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Affected by ragtime and white folk music, it’s more melodic than the Mississippi and Texas styles.
High, clear singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most extreme of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4307 Silverdale.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is known as classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adjusted to the more sophisticated urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of great psychological and rhythmic intensity.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been influenced by the blues. Jazz and blues are closely linked; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements in their music. Rhythm and soul music and blues also show forms and clear blues tonalities. The blues have had their largest influence on rock music.
Blues material was frequently used by rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly influenced by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Silverdale 4307 Queensland