Acoustic Blues Guitar Teacher Silver Spur 4385 Queensland

acoustic blues guitar instructor Silver Spur Queensland 4385

 

Acoustic Blues Guitar Teacher Silver Spur 4385 Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of popular music throughout the United States.

Although instrumental accompaniment is almost universal in the blues, the blues is basically a a form that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues singers rather than telling stories. The emotion expressed is usually one of melancholy or sadness, commonly due to problems in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are devoted to singing, the last measure and a half composed of an instrumental “break” that responses, recurs, or complements the vocal line.

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Acoustic Blues Guitar Teacher 4385 Silver Spur Queensland.

African influences are apparent in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain arrangement of the blues stanza, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are badly recorded. It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white people. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and then many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in Texas, Georgia and the Carolinas, three main regions, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

High, clear singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher 4385 Silver Spur Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues recordings were made in the 1920s by black women such as Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is called classic blues.

The World Wars and the Great Depression caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adjusted to the more complex urban environment. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely associated; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Soul music and rhythm and blues also reveal shapes and obvious blues tonalities. The blues have had their biggest effect on rock music.

Blues content was often used by early rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Silver Spur Queensland 4385

Acoustic Blues Guitar Teacher Queensland 4385 Silver Spur

 

 

 

 

 

 

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