Acoustic Blues Guitar Teacher Seventeen Mile Rocks 4073 Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of music that is popular throughout the USA.
Although instrumental accompaniment is virtually universal in the blues, the blues is basically a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is typically one of sadness or melancholy, often due to difficulties in love.
Generally the first two and a half measures of each line are given to a half, the last measure and singing consisting of an instrumental “break” that replies, repeats, or complements the vocal line. In terms of practical (i.e., conventional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher Queensland 4073 Seventeen Mile Rocks.
African influences are noticeable in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, particularly the guitar and harmonica.
The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The first references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and thereafter many other Tin Pan Alley tunes entitled blues began to appear.
Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues developed in Texas, Georgia and the Carolinas, three principal areas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clean singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most influential. Vocally, it is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a bottleneck or a slide is often used. The Mississippi style is signified by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Seventeen Mile Rocks 4073 Queensland.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mainly stage singers backed by jazz bands; their style is referred to as classic blues.
The World Wars and the Great Depression caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban surroundings. Lyrics took up urban themes, as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of drums and bass and the blues ensemble developed. The harmonica that was amplified and the electric guitar created a driving sound of emotional and rhythmic intensity that was great.
Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis.
It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.
Many other musical styles have been affected by the blues. Blues and jazz are closely associated; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Rhythm and soul music and blues additionally reveal apparent blues tonalities and forms. The blues have had their greatest impact on rock music.
Blues content was often used by rock singers like Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Queensland 4073 Seventeen Mile Rocks