Acoustic Blues Guitar Teacher Sarina Range 4737 Queensland

acoustic blues guitar instructor Sarina Range Queensland 4737

 

Acoustic Blues Guitar Teacher Sarina Range 4737 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of popular music throughout the United States.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is basically a a type that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is normally one of depression or melancholy, often due to problems in love.

To express this musically, blues performers use vocal techniques such as melisma (sustaining a single syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques including “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Typically the first two and a half measures of each line are devoted to singing, the last measure and a half consisting of an instrumental “break” that repeats, replies, or complements the vocal line.

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Acoustic Blues Guitar Teacher Sarina Range 4737 Queensland.

African influences are obvious in the blues tonality, the call and response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The sources of the blues are poorly documented. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Southern black men, most of whom came from the milieu of agricultural workers derived from and mainly played blues.

The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Texas, Georgia and the Carolinas, three principal regions, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it’s more melodic than the Texas and Mississippi styles.

High, clean singing followed by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher Queensland 4737 Sarina Range.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were mostly stage singers backed by jazz bands; their style is called classic blues.

The Great Depression and the World Wars caused the geographic dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more sophisticated urban surroundings. The electric guitar and the amplified harmonica created a driving sound of psychological and rhythmic intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest role in the growth of urban blues. After World War II they were supplanted by a brand new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been influenced by the blues. Jazz and blues are closely associated; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton within their music. Soul music and rhythm and blues also reveal shapes and obvious blues tonalities. The blues have had their biggest influence on rock music.

Rock singers like Elvis Presley often used blues material. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Sarina Range Queensland 4737

Acoustic Blues Guitar Teacher Sarina Range 4737 Queensland

 

 

 

 

 

 

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