Acoustic Blues Guitar Teacher Saibai Island 4875 Queensland

acoustic blues guitar instructor Saibai Island Queensland 4875

 

Acoustic Blues Guitar Teacher 4875 Saibai Island Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the development of music that is popular throughout America.

Although instrumental accompaniment is virtually worldwide in the blues, the blues is essentially a a kind that is vocal. Blues tunes are lyrical rather than narrative; blues vocalists are expressing feelings rather than telling stories. The emotion expressed is typically one of melancholy or depression, commonly due to difficulties in love.

To express this musically, blues performers use vocal techniques including melisma (prolonging an individual syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques such as “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are given to the last measure, singing and a half consisting of an instrumental “break” that replies, recurs, or complements the vocal line. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Saibai Island 4875 Queensland.

African influences are noticeable in the blues tonality, the call and response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, especially the guitar and harmonica.

The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was influenced by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and thereafter many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues developed in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Determined by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles.

High, sharp singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most influential and is the most intense of the three styles. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Doc Watson - Acoustic Guitar Fingerpicking Master

Acoustic Blues Guitar Teacher Queensland 4875 Saibai Island.

Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women such as Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adapted to the more complex urban surroundings. The electric guitar and the harmonica that was amplified created a driving sound of great rhythmic and psychological intensity.

Hooker, John Lee [Credit:

It was Chicago, however, that played the greatest part in the development of urban blues. After World War II they were supplanted by a fresh generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have affected many other musical styles. Jazz and blues are closely related; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Soul music and rhythm and blues also reveal shapes and obvious blues tonalities. The blues have had their largest influence on rock music.

Rock singers such as Elvis Presley frequently used blues material. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Saibai Island Queensland 4875

Acoustic Blues Guitar Teacher 4875 Saibai Island Queensland

 

 

 

 

 

 

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