Acoustic Blues Guitar Teacher Queensland 4871 Springfield

acoustic blues guitar instructor Springfield Queensland 4871

 

Acoustic Blues Guitar Teacher 4871 Springfield Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of popular music throughout the USA.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal type. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists as opposed to telling stories. The emotion expressed is typically one of depression or melancholy, often due to difficulties in love.

Typically the first two and a half measures of each line are given to the last measure, singing and a half composed of an instrumental “break” that complements the vocal line, responses, or repeats. In terms of functional (i.e., traditional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Springfield 4871 Queensland.

African influences are noticeable in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain construction of the blues stanza, particularly the guitar and harmonica.

The sources of the blues are badly recorded. It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Blues derived from and was largely played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterwards many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Mississippi, Georgia and the Carolinas, Texas, and three principal regions. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Impacted by white and ragtime folk music, it’s more melodic than the Mississippi and Texas styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.

The Texas blues is characterized by high, clean singing followed by supple guitar lines that consist generally of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most influential Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it’s the most language-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Blind Boy Fuller - Ragtime Blues Guitar Master

Acoustic Blues Guitar Teacher Queensland 4871 Springfield.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women for example Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is referred to as classic blues.

The Great Depression and the World Wars caused the geographical dispersal of the blues as millions of blacks left the South for the cities of the North. The blues became adapted to the more complex urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The electric guitar and the harmonica that was amplified created a driving sound of emotional and rhythmic intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest part in the development of urban blues. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Soul music and rhythm and blues also reveal obvious blues tonalities and shapes. The blues have had their largest influence on rock music.

Blues material was frequently used by rock singers like Elvis Presley. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Springfield Queensland 4871

Acoustic Blues Guitar Teacher Queensland 4871 Springfield

 

 

 

 

 

 

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