Acoustic Blues Guitar Teacher Queensland 4811 Stuart

acoustic blues guitar instructor Stuart Queensland 4811

 

Acoustic Blues Guitar Teacher 4811 Stuart Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most significant influences on the development of music that is popular throughout America.

Although instrumental accompaniment is almost universal in the blues, the blues is essentially a vocal type. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists rather than telling stories. The emotion expressed is normally one of melancholy or depression, often due to problems in love.

Commonly the first two and a half measures of each line are dedicated to singing, the last measure and a half consisting of an instrumental “break” that repeats, answers, or complements the vocal line. When it comes to practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Queensland 4811 Stuart.

African influences are evident in the blues tonality, the call-and-response pattern of the imitation of vocal idioms by instruments, the falsetto break in the vocal style, and the repeated refrain structure of the blues stanza, especially the guitar and harmonica.

The origins of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was affected by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white population. Southern black men, most of whom came from the milieu of agricultural workers derived from and mostly played blues.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and then many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in Georgia, three principal areas and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Affected by white and ragtime folk music, it is more melodic than the Mississippi and Texas styles.

High, clear singing accompanied by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it truly is the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher Stuart 4811 Queensland.

Rainey, Ma [Credit: Archive Photos]The first blues records were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is known as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographic dispersal of the blues. The blues became adjusted to the more complex urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit:

It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a fresh generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely related; such seminal jazzmen as Jelly Roll Morton and Louis Armstrong employed blues elements within their music. Soul music and rhythm and blues also reveal obvious blues tonalities and forms. The blues have had their largest impact on rock music.

Rock singers such as Elvis Presley often used blues content. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were powerfully affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Stuart Queensland 4811

Acoustic Blues Guitar Teacher Queensland 4811 Stuart

 

 

 

 

 

 

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