Acoustic Blues Guitar Teacher Queensland 4650 Teddington

acoustic blues guitar instructor Teddington Queensland 4650

 

Acoustic Blues Guitar Teacher 4650 Teddington Queensland

From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most important influences on the growth of music that is popular throughout the United States.

Although instrumental accompaniment is almost universal in the blues, the blues is basically a vocal form. Blues songs are lyrical rather than narrative; blues vocalists are expressing feelings instead of telling stories. The emotion expressed is normally one of depression or melancholy, commonly due to problems in love.

To express this musically, blues performers use vocal techniques including melisma (sustaining an individual syllable across several pitches), rhythmic techniques including syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or applying a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

Usually the first two and a half measures of each line are dedicated to the last measure, singing and a half consisting of an instrumental “break” that complements the vocal line, responses, or repeats.

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Acoustic Blues Guitar Teacher Queensland 4650 Teddington.

African influences are obvious in the blues tonality, the call-and-response pattern of the repeated refrain arrangement of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, especially the guitar and harmonica.

The origins of the blues are poorly documented. It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white citizenry. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became very popular, and afterward many other Tin Pan Alley tunes entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in three principal areas, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of rhythm. Influenced by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

High, clear singing accompanied by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most powerful. Vocally, it truly is the most speech-like, and the guitar accompaniment is percussive and rhythmic; a slide or bottleneck is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

Robert Johnson & Johnny Shines - Mississippi Blues Guitar Travelers

Acoustic Blues Guitar Teacher Teddington 4650 Queensland.

Rainey, Ma [Credit: Archive Pictures]The first blues records were made in the 1920s by black women for example Bessie Smith, Ma Rainey, Ida Cox, and Mamie Smith. These performers were chiefly stage vocalists backed by jazz bands; their style is referred to as classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adapted to the more advanced urban environment. The amplified harmonica and the electric guitar created a driving sound of great psychological and rhythmic intensity.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities where the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nonetheless, that played the greatest role in the development of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that contained Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

Many other musical styles have been affected by the blues. Blues and jazz are closely linked; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements in their music. Rhythm and soul music and blues also reveal apparent blues tonalities and forms. The blues have had their biggest impact on rock music.

Blues content was regularly used by early rock singers like Elvis Presley. British rock musicians in the 1960s, John Mayall, Eric Clapton, and notably the Rolling Stones, were strongly influenced by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Teddington Queensland 4650

Acoustic Blues Guitar Teacher 4650 Teddington Queensland

 

 

 

 

 

 

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