Acoustic Blues Guitar Teacher 4570 Upper Kandanga Queensland
From its origin in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of music that is popular throughout the USA.
Although instrumental accompaniment is almost universal in the blues, the blues is essentially a a type that is vocal. Blues songs are lyrical rather than narrative; blues singers are expressing feelings rather than telling stories. The emotion expressed is typically one of melancholy or depression, commonly due to problems in love.
As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure type. Commonly the first two and a half measures of each line are given to a half, the last measure and singing comprising an instrumental “break” that responses, recurs, or complements the vocal line. In terms of practical (i.e., traditional European) harmony, the simplest blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):
Acoustic Blues Guitar Teacher 4570 Upper Kandanga Queensland.
African influences are apparent in the blues tonality, the call-and-response pattern of the falsetto break in the vocal style, the repeated refrain construction of the blues stanza, and the imitation of vocal idioms by instruments, notably the guitar and harmonica.
The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.
The earliest references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and thereafter many other Tin Pan Alley tunes entitled blues started to appear.
Jefferson, Blind Lemon [Credit: Archive Photographs]The rural blues grown in Georgia, three principal regions and the Carolinas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Determined by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles. Blind Willie McTell and Blind Boy Fuller were representative of this style.
High, clear singing accompanied by supple guitar lines that consist usually of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues is the most extreme of the three styles and has been the most powerful. Vocally, it is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is frequently used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.
Acoustic Blues Guitar Teacher Queensland 4570 Upper Kandanga.
Rainey, Ma [Credit: Archive Pictures]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mostly stage vocalists backed by jazz bands; their style is called classic blues.
As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adapted to the more advanced urban surroundings. The harmonica that was amplified and the electric guitar created a driving sound of psychological and rhythmic intensity that was great.
Hooker, John Lee [Credit:
It was Chicago, nonetheless, that played the greatest role in the development of urban blues.
Many other musical styles have been influenced by the blues. Blues and jazz are closely connected; blues elements were employed by such seminal jazzmen as Louis Armstrong and Jelly Roll Morton in their music. Soul music and rhythm and blues also reveal apparent blues tonalities and shapes. The blues have had their biggest effect on rock music.
Early rock singers like Elvis Presley frequently used blues material. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.
Acoustic Blues Guitar Teacher Upper Kandanga 4570 Queensland