Acoustic Blues Guitar Teacher Queensland 4520 Samford

acoustic blues guitar instructor Samford Queensland 4520

 

Acoustic Blues Guitar Teacher 4520 Samford Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s among the most important influences on the development of music that is popular throughout America.

Although instrumental accompaniment is nearly universal in the blues, the blues is basically a a kind that is vocal. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is normally one of melancholy or depression, often due to problems in love.

To express this musically, blues performers use vocal techniques including melisma (keeping up a single syllable across several pitches), rhythmic techniques such as syncopation, and instrumental techniques for example “choking” or bending guitar strings on the neck or using a metal slide or bottleneck to the guitar strings to create a whining, voice-like sound.

As a musical style, the blues is characterized by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Normally the first two and a half measures of each line are dedicated to the last measure, singing and a half comprising an instrumental “break” that replies, recurs, or complements the vocal line. When it comes to practical (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher Samford 4520 Queensland.

African influences are clear in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The sources of the blues are badly documented. Blues developed in the southern United States after the American Civil War (1861–65). It was determined by work songs and field hollers, minstrel show music, ragtime, church music, and the folk and popular music of the white inhabitants. Blues derived from and was mainly played by Southern black men, most of whom came from the milieu of agricultural workers.

The first references to blues date back to the 1890s and early 1900s. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was released. It became quite popular, and then many other Tin Pan Alley tunes entitled blues started to appear.

Jefferson, Blind Lemon [Credit: Archive Pictures]The rural blues grown in the Carolinas, Georgia and three main areas, Texas, and Mississippi. The blues of the Carolinas and Georgia is noted for its clarity of enunciation and regularity of beat. Impacted by ragtime and white folk music, it’s more melodic than the Texas and Mississippi styles.

The Texas blues is defined by high, sharp singing followed by supple guitar lines that consist typically of single -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was the most powerful Texas bluesman. Mississippi Delta blues has been the most powerful and is the most intense of the three styles. Vocally, it truly is the most language-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is often used. The Mississippi style is represented by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Samford 4520 Queensland.

Rainey, Ma [Credit: Archive Photographs]The first blues recordings were made in the 1920s by black women including Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were mainly stage vocalists backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the World Wars and the Great Depression caused the geographic dispersal of the blues. The blues became adjusted to the more advanced urban environment. The electric guitar and the amplified harmonica created a driving sound of psychological and rhythmic intensity that was great.

Hooker, John Lee [Credit: John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the growth of urban blues.

The blues have affected many other musical styles. Jazz and blues are closely connected; blues elements were employed by such seminal jazzmen as Jelly Roll Morton and Louis Armstrong within their music. Soul music and rhythm and blues additionally show apparent blues tonalities and shapes. The blues have had their greatest influence on rock music.

Blues content was regularly used by rock singers such as Elvis Presley. British rock musicians in the 1960s, especially the Rolling Stones, Eric Clapton, and John Mayall, were strongly affected by the blues, as were such American rock musicians as Paul Butterfield, Mike Bloomfield, and the Allman Brothers Band.

local blues guitar teacher Samford Queensland 4520

Acoustic Blues Guitar Teacher Queensland 4520 Samford

 

 

 

 

 

 

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