Acoustic Blues Guitar Teacher Queensland 4306 Teelah

acoustic blues guitar instructor Teelah Queensland 4306

 

Acoustic Blues Guitar Teacher Teelah 4306 Queensland

From its source in the South, the blues’ simple but expressive forms had become by the 1960s one of the most significant influences on the development of music that is popular throughout the USA.

Although instrumental accompaniment is virtually universal in the blues, the blues is essentially a vocal form. Blues songs are lyrical rather than narrative; feelings are being expressed by blues vocalists instead of telling stories. The emotion expressed is typically one of depression or melancholy, commonly due to problems in love.

As a musical style, the blues is defined by expressive “microtonal” pitch inflections (blue notes), a three-line textual stanza of the form AAB, and a 12-measure form. Typically the first two and a half measures of each line are given to singing, the last measure and a half consisting of an instrumental “break” that complements the vocal line, responses, or repeats. When it comes to functional (i.e., conventional European) harmony, the most straightforward blues harmonic progression is described as follows (I, IV, and V refer respectively to the first or tonic, fourth or subdominant, and fifth or dominant notes of the scale):

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Acoustic Blues Guitar Teacher 4306 Teelah Queensland.

African influences are clear in the blues tonality, the call and response pattern of the repeated refrain construction of the blues stanza, the falsetto break in the vocal style, and the imitation of vocal idioms by instruments, particularly the guitar and harmonica.

The sources of the blues are poorly recorded. Blues derived from and was mostly played by Southern black men, most of whom came from the milieu of agricultural workers.

The earliest references to blues date s back to the 1890s and early 1900. In 1912 black bandleader W.C. Handy’s composition “Memphis Blues” was published. It became quite popular, and then many other Tin Pan Alley songs entitled blues began to appear.

Jefferson, Blind Lemon [Credit: Archive Photos]The rural blues grown in three principal regions, Georgia and the Carolinas, Texas, and Mississippi. The blues of Georgia and the Carolinas is noted for its clarity of enunciation and regularity of beat. Influenced by white and ragtime folk music, it is more melodic than the Texas and Mississippi styles.

High, clean singing followed by supple guitar lines that consist typically of single characterizes the Texas blues -string picked arpeggios rather than strummed chords. Blind Lemon Jefferson was by far the most influential Texas bluesman. Mississippi Delta blues is the most intense of the three styles and has been the most influential. Vocally, it’s the most speech-like, and the guitar accompaniment is rhythmic and percussive; a bottleneck or a slide is often used. The Mississippi style is symbolized by Charley Patton, Eddie (“Son”) House, and Robert Johnson, among others.

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Acoustic Blues Guitar Teacher Queensland 4306 Teelah.

Rainey, Ma [Credit: Archive Photographs]The first blues records were made in the 1920s by black women like Mamie Smith, Ma Rainey, Ida Cox, and Bessie Smith. These performers were primarily stage vocalists backed by jazz bands; their style is called classic blues.

As millions of blacks left the South for the cities of the North the Great Depression and the World Wars caused the geographical dispersal of the blues. The blues became adjusted to the more advanced urban surroundings. Lyrics took up urban themes, and the blues ensemble developed as the solo bluesman was joined by a pianist or harmonica player and then by a rhythm section consisting of bass and drums. The harmonica that was amplified and the electric guitar created a driving sound of rhythmic and psychological intensity that was great.

Hooker, John Lee [Credit: Frank Driggs Collection/Hulton Archive/Getty Images]Among the cities in which the blues initially took root were Atlanta, Memphis, and St. Louis. John Lee Hooker settled in Detroit, and on the West Coast Aaron (“T-Bone”) Walker developed a style later adopted by Riley (“B.B.”) King.

It was Chicago, nevertheless, that played the greatest part in the growth of urban blues. In the 1920s and ’30s Memphis Minnie, Tampa Red, Big Bill Broonzy, and John Lee (“Sonny Boy”) Williamson were popular Chicago performers. After World War II they were supplanted by a new generation of bluesmen that included Muddy Waters, Chester Arthur Burnett (Howlin’ Wolf), Elmore James, Little Walter Jacobs, Buddy Guy, and Koko Taylor.

The blues have influenced many other musical styles. Jazz and blues are closely related; such seminal jazzmen as Louis Armstrong and Jelly Roll Morton employed blues elements within their music. Rhythm and soul music and blues additionally reveal apparent blues tonalities and forms. The blues have had their greatest influence on rock music.

Early rock singers such as Elvis Presley regularly used blues material. British rock musicians in the 1960s, notably the Rolling Stones, Eric Clapton, and John Mayall, were powerfully affected by the blues, as were such American rock musicians as Mike Bloomfield, Paul Butterfield, and the Allman Brothers Band.

local blues guitar teacher Teelah Queensland 4306

Acoustic Blues Guitar Teacher Queensland 4306 Teelah

 

 

 

 

 

 

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